Children in Mole refugee camp in the town of Zongo, DR Congo (DRC), March 2014. Probably most of these children have seem more violence than you can imagine. If your are not familiar with the level of cruelty during the conflict in Central African Republic, I can tell you that some of the refugees who escaped in DRC have told stories of hundreds of hacked bodies and body parts stacked in churches and mosques ( Google knows everything, just try it. Or check out The War Across The River ).
Looking at these children’s faces, one can only wonder how some of them still have a smile on their face and a light of hope in their eyes.
While walking around the small town of Libenge in DR Congo, I saw this kid standing there on his own, not bothered by the noise around him (as I remember there were few kids playing around), busy with his thoughts an the piece of wood (or whatever was that) that kept his hands occupied .
While my colleagues were buying all the bottled water and biscuits from a shop in the local market, these boys were trying to get my attention to be my models for that short moment. The honesty of their joy when I showed them the photo touched me. I still remember it like it was yesterday.
This young girl looked like she was walking with a purpose and not just taking whom I presume was her brother, out for a late afternoon leisure walk. I smiled but she didn’t smile back and we both just carried on.
Two amazing smiles.
Both children live in Boyabu refugee camp, near the town of Libenge in Sud-Ubangi District in the Democratic Republic of Congo (DRC) were thousands found refuge after fleeing the violence in Central African Republic.
These smiling faces can only make you think how little it takes to make them happy and the huge contrast between their world and ours. We could do so much more to help and yet we choose to remain ignorant.
These are two of my favorite images I was lucky enough to capture on a trip to DR Congo earlier this year. On the first one, while listening to heartbreaking stories from refugees that fled the violence in Central African Republic and learning from my good friend and writer Azad Essa on how an interview should be conducted (honored to have had the chance to tag along with him), this kid was staring at me through a poorly built fence. I recognized his face as he was curiously following us for couple of hours or so.
The second image was shot in the same location, a small street in a town called Zongo located in Sud-Ubangi District in Équateur Province in the northwestern part of the DR Congo. I stepped away to enjoy a much needed smoke and a short break from the sadness of the stories heard through the day, and this child was just laying there on the tree trunk. He made eye contact with me but didn’t move a muscle – he just sat there. I still wonder what he was thinking about.
Designed by Pritzker Prize-winning architect I.M. Pei, the Museum is comprised of a main building with an adjacent education wing connected by a large central courtyard. The main building rises five-storeys, topped by a high domed atrium within a central tower.
The cream-coloured limestone captures the changes in light and shade during the day.
The interior is no less spectacular. The centrepiece of the atrium is a curved double staircase leading up to the first floor. Above it floats an ornate circular metal chandelier echoing the curve of the staircase.
An oculus, at the top of the atrium, captures and reflects patterned light within the faceted dome. The five-storey 45-metre tall window on the north side gives spectacular panoramic views across the bay.
The geometric patterns of the Islamic world adorn the spaces, including the ceilings of the elevators. A variety of textures and materials from wood and stone has created a unique environment for the museum’s stunning collections.